A MORTE DE EMIL NOLDETHE DEATH OF EMIL NOLDE
2009
mixed media on paper
100 x 70 cm
At first the sheets were divided in half. Then the drawings each one had made on his side of the sheet were juxtaposed. But, through a violent impulsive inscription, a certain joy or joie de vivre or an experience of total freedom developed these drawings by four hands simultaneously. These drawings are therefore a key to understanding A Kills B’s modus operandi. The titles are a mixture of what each individual imagined for the title, or, in other words each one blurted out the first thought that came to mind as if part of a psychological test; and then both parts were put together.
